LOCATED on top of a hill in Gertak Sanggul, surrounded by lush greenery, lies a hidden gem – a classic lion dance training centre accessible only via a narrow dirt road.
Originally a modest shack, the centre has been rebuilt into a well-known training ground, nurturing the local community’s interest in lion dance.
For those not familiar with the area, the centre’s exact location remains a mystery, as it is situated approximately 2km from the main road.
Despite limited publicity on social media, the Mei Hoo Lion Dance Troupe has successfully produced a number of students eager to master this traditional art.
In a recent interview with Buletin Mutiara at the training centre, Loh Woon Sim, 64, one of the troupe’s veteran members, reflected on its journey since its establishment in 1979.
“We have come a long way. Our dedication, unwavering persistence, and passion keep us going as we continue training and inspiring the younger generation to carry on the legacy,” he said.
He recalled the rigorous training and hardships he faced in his early days under the guidance of his late mentor.
“He taught us perseverance, discipline, and resilience in everything we do. No matter how tired we were, we trained – rain or shine.
“That’s the spirit that sustains our lion dance team and we hope the younger ones will continue this tradition,” said Loh, who is a construction worker.
Loh’s son, Loh Chin Hoong, 34, now manages the troupe while balancing his job as an auditor in Gurney Drive. Despite the distance, he remains committed to attending training sessions at Gertak Sanggul.
“We train four times a week, which is on Monday, Wednesday, Friday, and Saturday, from 8pm to 10pm. I try my best to be there as much as possible to guide the team and ensure injuries are minimised, especially during stilt pole lion dance performances,” he said.
Chin Hoong emphasised that safety is a top priority, with senior members closely monitoring younger performers.
“For dangerous moves, we always have experienced members supervising. If anything happens, we make sure someone is responsible for immediate action, including taking them to the hospital if needed,” he explained.
Since most troupe members are from Gertak Sanggul, Chin Hoong understands the transportation challenges for those living farther away.
“Some of them live nearby, so we even help fetch them for training. I assure parents that their children will develop better discipline and perseverance through this experience. Our focus is not just on performance but also on instilling good moral values,” he added.
Chin Hoong recalled a major setback in 2009 when a fire destroyed the training centre.
“We had to rebuild everything from scratch. Thankfully, the state government supported us back then, and we were able to restore the place,” he said.
According to Chin Hoong, teamwork between drummers and dancers is crucial for a successful lion dance performance.
“It takes time to master the coordination. It’s not easy, but persistence is key,” Chin Hoong explained.
While the troupe does not actively promote its achievements, it is recognised as one of the top stilt pole lion dance performers in competitions.
“We have won several championships, the latest in 2022. The competitions are tough as each performance must be completed within nine minutes, so frequent training is essential,” he quipped.
To ensure high-quality performances, Chin Hoong sources the troupe’s equipment from China.
Apart from preserving the tradition, Mei Hoo Lion Dance Troupe also fosters unity, welcoming members from diverse backgrounds, regardless of race and religion.
Among them is Siti Alia Fairulnizam, 11, who joined the troupe at the age of four, inspired by her older brother Mohd Fahmi Fairulnizam, 15.
“I hope to showcase my talent by performing on the stilt poles one day,” said Siti Alia, standing alongside her nine-year-old sister, Siti Alesa Fairulnizam.
Under the watchful eyes of Loh and Chin Hoong, the Mei Hoo Lion Dance Troupe continues to inspire new generations to embrace and preserve the rich artistry of lion dance.
Story by Edmund Lee
Pix by Muhamad Amir Irsyad Omar